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02.12.2002
With Valentine's
Day coming up, people are asking us here at World Command
Central, "What is love, and how can I get some?" Well,
I'm afraid we don't have the answers here; our attempts to find
love have usually resulted in recrimination, alcohol
abuse, and the breaking of perfectly good electronics. However,
it's a fact that rock
music has all the answers, so let's go to the experts, as
found in my CD collection.
What is love? Recently
deceased Indian culture devotee George
Harrison says "This is Love", perhaps gesturing
to something in the studio; no help there. "Love is a Long
Road", says helpful Bob Dylan impersonator Tom Petty: at
last, a working definition. Love is the I-90. But, from fellow
nasal-voiced troubador Neil Young, a dissenting opinion: "Love
is a Rose", he says. Well, that would certainly make it
easier to get. Indeed, arguments are everywhere: while synthopoptop
Annie Lennox declares that "Love is a Stranger", David
Coverdale of Whitesnake offers the crudely stated but emotional
rebuttal that "Love Ain't No Stranger". We find ourselves
about to agree with cokeheaded Cali historian Warren
Zevon, who scoffs "You Don't Know What Love Is",
when from the
depths of the 1970s comes this dire warning from Fleetwood
Mac: "Love is Dangerous"!
Is love really dangerous?
Asking romantic saps like Don Was won't yield a straight answer;
he will only begrudgingly admit that "Love Can Be Bad Luck".
Talking Heads show distress when we breach the subject; "Uh
Oh, Love Comes to Town", they cringe. What is the source
of their fear? True, everyone from the Jazz Butcher to Randy
Newman have warned of the dangers of "Falling in Love",
as if it were hot tar or quicksand.
But is it really dangerous? "Love is Pain", former
delinquent Joan Jett
assures us. "Love Bites", howl ludicrous leather-freaks
Judas Priest, showing welts. "Love Stinks", sneer the
J. Geils Band. Love is beginning to resemble an untrained
German Shepherd puppy. But before we laughingly roll up a
newspaper and move along, the real horror stories start
to roll in.
The Rolling Stones deny
that age is a source of cataracts,
and claim to have been "Blinded By Love". Yatsura,
who remind us that they are not Pavement, say that they're more
than familiar with "The Love That Brings You Down",
and Magnetic Fields win no converts in the alcoholic loser demographic
by saying -- in an unflattering way -- that "Love Is Like
a Bottle of Gin". Tuscadero are "Lovesick", and
too bad for them, as aging French-Canadian
junkie Leonard Cohen tells us there "Ain't No Cure For Love".
The Dukes of Stratosphear warn us that "My Love Explodes"
-- FORGET THAT! Nazareth screams that "Love Hurts",
and L.A. punk relics the Circle Jerks get it right out in the
open: "Love Kills"! Not only that, say Sparks, but
love is cannibalistic: they claim to have been "Eaten By
the Monster of Love". Love is now starting to look a lot
like Ed Gein.
Small wonder that obese skate-punks the Big Boys plead for "No
Love", while flapper-revivalists the Squirrel Nut Zippers
beg for "Anything But Love"!
Whatever its risks, love
is a lot like linen,
coming in a wide variety of colors and patterns. Wan Bostonians
'til tuesday offer the unpleasant and impractical-sounding "Love
in a Vacuum"; the Feelies feature not only the lawsuit-prone
"Original Love" but also the self-contradictory "Loveless
Love", which sounds a lot like "Pepsi-Free".
Ray Charles gives us "Careless Love", which is understandable
coming from a
blind man in his 70s. Heroin criminals the Velvet Underground,
with the lacksadaisical, diffident attitude so typical of them
(see the grudging "Guess I'm Falling in Love") are
suspiciously uncertain of their product, shrugging their shoulders
and proffering "Some Kinda Love". The Jon Spencer Blues
Explosion has "2 Kindsa Love", Robyn Hitchcock offers
the minty and refreshing "Winter Love", and the Beatles,
always trying to outdo everyone else, claim to feature "Real
Love". But at this point, like my iMac and the lass and
lads in Add N to X, "Machine is Bored with Love".
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