|
02.25.2002
You know, when you think
about it, the theme to "The Beverly Hillbillies" doesn't
make much sense. As much as it pains me to criticize the works
of Lester Flatt & Earl Scruggs, I'm afraid that the memorable
title tune is the one great flaw in this otherwise impeccable,
utterly sensible comedy of manners. Let's take a look:
Come and listen to
my story 'bout a man named Jed; a poor mountaineer, barely kept
his family fed
So far so good, although
the "come and listen to my story" line seems a little
compulsory (for reasons that will become clear). But it sets
the tone, piques our interest. What will happen to this luckless,
poverty-stricken mountain man? Consider our appetites whetted.
And then one day he
was shootin' at some food
No wonder ol' Jed can't
provide for his kin; he's a moron. If you were having trouble
feeding your family, the last thing you would want to do is shoot
the meager rations you DID have. Even the entertaining 1980s
video game "Gauntlet" was wise enough to tell you:
"Don't shoot the food!" We begin to suspect that Jed's
family would be better off without this addlepated rustic moron
and his food-destroying ways.
When up from the ground
come a bubblin' crude...oil, that is. Black gold. Texas tea.
A lucky break for Jed,
although his aim is pretty pathetic if he shoots food and hits
the ground. But "hark, little lower level": this line
begs some pretty serious questions. First, since when is oil
found in the mountains? Second, what the hell kind of munitions
is Jed using that he can strike crude just by shooting at the
ground? Usually, huge industrial drills that plow hundreds of
feet below the surface of the earth are used for this purpose,
but Jed apparently lives on the one mountain range in all the
world where oil lies close enough to the surface that you can
stumble across it while staking your tomato plants. If the oil
was this easy to get, that a fat guy in cleats could have drowned
in it, you'd imagine someone would have noticed it before him.
Well, the next thing
you know, ol' Jed's a millionaire
Nice try. We'd all like
a happy ending for this demented vandal, but in reality, the
next thing you know, ol' Jed's getting reamed out of his oil
holdings by the government. The feds, state and county would
all be at the Clampett shack so fast that his floppy hat would
spin, each one with lawyers in tow, all trying to establish that
Jed has no more claim to this anomalous windfall than the Navajo
had to all those useful uranium mines. And even if the government
didn't screw him to the wall, Exxon or Mobil would send someone
out to buy the whole megillah for three hundred bucks. Are we
to believe that a man who's so unsophisticated that he can't
tell the difference between a swimming pool and a pond would
nonetheless be able to convert his find into millions of dollars?
I think not. The next thing you know, ol' Jed's a rural schmuck
who's gotten fucked out of millions by tie-wearing smoothies.
His kinfolks said,
'Jed, move away from there!' They said 'Californey is the place
you oughtta be', so he packed up the truck and he moved to Beverly...Hills,
that is.
This is the most unbelievable
aspect of an already-unbelievable song. So, here's Jed's relatives.
They live in a mountainous wasteland. They're poorer than the
dirt they farm. They eat rabid possums to avoid starvation. All
of the sudden, one of their number inexplicably hits it rich;
he's got millions of dollars, inestimable wealth. So what do
they do? THEY TELL HIM TO LEAVE. Do they ask him to help the
community? Do they tell him to build them toilets, bring in electricity,
start a Wendy's franchise? Do they beg him for a loan of a couple
of grand so their children don't die of cholera? No! They tell
him to move as far away as possible, to live with a bunch of
other filthy rich people, in the wealthiest place in America.
Sure they do.
Swimmin' pools...movie
stars.
And a noticeable dearth
of nouveau-riche hillbillies.
|