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03.29.2002
For the benefit of our
slower readers, I wish to translate Ann Coulter's exceptional
column from today. Ms. Coulter, who is America's leading female
conservative, wishes to set a few things straight about Halle
Berry's Oscar victory; but she uses sophisticated rhetorical
techniques that may confuse those without the benefit of a classical
education. Therefore, as a free service, I present: Ann Coulter's
"I Like Black People Too, Julia!", explained. (Ms.
Coulter's original in italics. I excerpt it in full in hopes
that she will sue me.)
I tuned in late and
consequently can speak only to the last three hours of Halle
Berry's acceptance speech at the Academy Awards last Sunday.
But inasmuch as she engaged in wild race-baiting to get her Oscar,
her expressions of shock were not very believable.
I didn't watch Halle Berry's
acceptance speech, but I do know this: that uppity nigger didn't
deserve to win.
She had spent weeks
complaining about one time she did not get a role because of
her color. It was the part of a forest ranger. Arnold Schwarzenegger
probably has trouble getting cast as a ballet dancer, too.
Niggers can no more be
park rangers than weightlifters can be ballet dancers.
And yet still, somehow,
white guilt worked on Hollywood liberals! Berry had successfully
mau-maued her way to a best actress award and then acted surprised.
Cowardly liberal scum
have once again kowtowed to pressure from the uppity nigger lobby.
It's interesting that
Berry makes such a big deal about being black. She was raised
by her white mother who was beaten and abandoned by her black
father. Clearly, Berry has calculated that it is more advantageous
for her acting career to identify with the man who abandoned
her rather than the woman who raised her.
Halle Berry isn't really
black, because she was raised by a white woman. Her father abandoned
her, as is the habit of shiftless and irresponsible niggers.
But in order to play up white guilt, she pretends to be black.
Also, since I didn't actually watch the speech, I missed the
part where she thanked her white mother for raising her because
her black father abandoned her.
Demanding that everyone
marvel at her accomplishment, Berry gushed: "This moment
is so much bigger than me." Whenever people say something
is not about them it's always just about them. This is a turn
of phrase meant to remind the audience of the importance and
beauty of them. Berry said her triumph was a victory "for
every nameless, faceless woman of color who now has a chance
because this door tonight has been opened."
Halle Berry is an egotistical,
beauty-obsessed spoiled brat. I don't know anyone like that myself.
Yes, at long last,
the "glass ceiling" had been broken. Large-breasted,
slightly cocoa women with idealized Caucasian features finally
have a chance in Hollywood! They will, however, still be required
to display their large breasts for the camera and to discuss
their large breasts at some length with reporters.
Halle Berry isn't a real
nigger, because she looks sort of white. Therefore, her triumph
isn't really doing any good for the coloreds, not that they deserve
it. Also, women who play up their physical appearance are whores.
Unless they are me.
Thus, Berry has explained
her philosophy on nude scenes, saying: "(I)f it's what the
character would do, then I'd use my body in any way that would
best serve that character." This, she said, is her "strong
belief." But what does it mean, exactly? Don't all people
undress sometimes? All people pick their noses, but vapid Hollywood
actresses don't insist on showing us that in every movie on the
grounds that it is "what the character would do."
Hollywood is filled with
panderers and pimps. Most of them are Jews.
In fact, Berry's unseemly
enthusiasm for displaying "these babies," as she genteelly
refers to her breasts, reduces roles for any women who lack Berry's
beauty queen features. If movies must include soft porn scenes,
the audience is entitled to demand performers with sexual characteristics
they would like to see in a soft porn movie. Somehow, characters
played by Whoopi Goldberg are never the sorts of characters who
would do things in real life like undress or have sex. And by
the way, Billy Bob Thorton isn't cutting it for the female audience.
The mostly Jewish panderers
and pimps in Hollywood are destroying our nation with their smut-peddling.
Also, they would never put a real nigger, like Whoopi Goldberg,
in one of their pornographic films. And while we're on the subject
of pornography, I would personally appreciate hunkier men in
movies.
When they are young,
nubile Hollywood actresses all utter the same idiotic cliches
about the artistic value of nudity in movies. Then they expect
us to feel sorry for them when parts dry up after they become
old and start to sag. Live by the breast, die by the breast.
I am petrified with fear
at my own encroaching age and its concomitant loss of beauty,
since my reputation rests on being hot.
But Berry's self-aggrandizing
pap was merely a footnote to the main theme of the awards ceremony,
which was: Julia Roberts loves all the black brothers! It was
a point she felt could not be made too often or with too much
condescension. Her presentation of the best actor award began
with the exciting revelation that she had just kissed Sidney
Poitier!
Julia Roberts is a race
traitor who is polluting our precious white blood by consorting
with niggers.
Having once famously
proclaimed she did not want to live in a world in which Denzel
Washington had not won an Oscar for best actor, she preceded
her announcement of his award saying, "I love my life!"
This was about her, not him. It was her personal triumph over
racism. The only patronizing remark Roberts skipped was to note
that Washington and Poitier were "articulate."
Julia Roberts obviously
fetishizes black men, which is an abomination unto God. Also,
she seems to have some sort of residual racial issues, unlike
me.
After Washington accepted
his award, Roberts leapt on him and would not let go. It was
as if he had grown some sort of exotic Julia Roberts wart. Not
only Washington, but, more urgently, his wife deserves great
credit for their forbearance. Whatever indignities Hollywood
has visited on blacks in the past, it would be hard to top this.
I am very funny. Also,
95 years of racism, degradation, abuse and stereotyping are nothing
compared to having to be hugged and kissed by a beautiful woman.
Whenever white liberals
are in trouble, they always run to the blacks. Immediately after
the Monica Lewinsky scandal broke, Monica went to a Washington
Wizards game where she hoisted some poor unsuspecting black girl
onto her lap in full view of the cameras. Bill Clinton dropped
the subtlety and dashed off to Africa. After his abomination
of a presidency, Jimmy Carter built housing in Harlem.
Liberals don't care any
more about niggers than I do. They just pretend to like them
to generate good publicity. They should just ignore them, or
vilify them, like me.
Apparently, Oscars
night was Hollywood's shot at patronizing blacks to generate
goodwill -- perhaps as wartime penance for its long-standing
hatred of America.
Hollywood is filled with
commies, most of whom are Jews, and they are bent on destroying
America.
It's too bad Denzel
Washington's Oscar was tainted by Hollywood's self-serving night
of condescension. He deserved that award. And he deserves a special
award for not punching Julia Roberts in the mouth.
Denzel Washington doesn't
deserve an Oscar, because he is a nigger. No, wait. I mean, his
Oscar is "tainted". It's a good thing he didn't punch
the white woman in the mouth, which would have been a typical
nigger thing to do. Maybe he's partly white too.
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