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10.24.2003
Behind a Tama drum kit
of simple but efficient design sits Charles Matthew Cole, brother
of Tonja Denise Cole, son of Arthur and Dalia Cole of Paradise
Valley, Arizona. He is a monolith of a man, of such great size
that his already cartoonish appearance is enhanced by the way
he dwarfs his drum kit, his bare knees poking over the top of
the bass drum and his huge hands holding the sticks like splinters
freshly extracted from a lion's paw.
Like many people in the
milieu in which he exists, Charlie supports his bohemian hobbies
of rock and roll drumming and writing Elizabethan romantic verse
with a straight job; unlike them, however, he works not as a
secretary, a copy clerk, or a waiter, but as a professional wrestler.
Looking at his clothes
-- cutoff bluejeans, white Chuck Taylors (no socks), a red t-shirt
with "Hulkamania" written on it in yellow letters,
and a red-and-white pullover ski lodge sweater -- who could guess
that during the season he has black leather, spikes, motorcycle
boots, studded shoulder pads, and a zipperhead bondage mask inflicted
on him? Well, taking his physique into account, anyone. Charlie
(who trades professionally under the name "Rock Hammer",
which his bandmates have mockingly altered to "Fuckhammer")
is one of those infuriating human beings who in addition to the
high crime of being born with a huge, graceful body, further
affronted the species by maintaining astonishing muscle tone
and robust physical health without working at it at all. He
stands slightly over 6 feet 7 inches tall, and only the fact
that he is clothed and has a halfhearted orange mohawk prevents
him from looking like a half-size version of Michaelangelo's
David. At the moment, he sits behind the kit, resolutely
checking sound levels by pummeling the bass pedal with his size
fifteens and waving to his sister (late entered from the restaurant
half of the Dog), waiting for the show to begin, and forming
a placid continent of calm in the ocean of angst that is Lethal
Injection.
Lethal Injection's lead
guitarist, Randy Berridge, has no further need to tune or check
levels; he arrived on stage immediately after Price finished
up, and set his Fender Stratocaster to his own rather exacting
standards. It is common knowledge that Randy is the virtuoso
of the group, the finest musician and most technically skilled
player in the band and indeed in most other bands on the scene.
It is also clear that he has channeled much mental energy into
the development of his guitar playing that might have been better
channeled into the development of social skills. Randy is a
very shy, awkward young man; his conversation is invariably polite
and calculated not to offend, his opinions always hedged to appeal
to the greatest number, and his participation in conversations
always pleasant and minimal. He is, in short, an extremely nice
boy.
In circles other than
the one in which he travels this might be thought a great virtue;
but in this one he is thought to be rather, well, L7. He is
thought of as fudging on his obviously high intelligence so as
to be deemed acceptable to the widest number of people, and except
in his music (where his independence of mind and independent,
harsh side is in full, unequivocal display), he seems reluctant
to immerse himself in the cultural scene in which he spends the
lion's share of his time. Witness his appearance: with his mild
good looks, wavy brown hair, athletic build, inoffensive grin,
tan Docker shorts/Polo shirt/loafers ensemble, he looks as if
he'd be more comfortable in the frat-infested 'dance' club down
the street than in a sordid dive like the Dog. And yet being
surrounded by such people he would be appalled (not that he'd
ever say so, of course).
So here he is, leaning
against the wall opposite Percy McJizz, and talking with his
girlfriend. In fact, she does all the talking, and he nods and
smiles that sad, brave smile one sees on the face of men condemned
by their own hand. For Randy's girlfriend is none other than
Monica Teagle, and it is she who is no doubt the most fascinating,
the most prominent, and the most obvious manifestation of his
insecurity.
Monica Teagle is gorgeous,
in the way that models are gorgeous; and indeed, she makes her
not-inconsiderable pocket money as a fashion model. She is a
staple at many clothing stores in the Scottsdale area, and her
perfect head appears often enough in hair salon adverts in the
Valley's free weeklies that she is always recognized at clubs
even without the presence of the boys in the band. She is ridiculously
blonde, with a body that would be called flawless no matter what
the standard of beauty of the time. Her skin color lies in that
nearly impossible to achieve no-man's-land between fetchingly
pale and healthily tan; it was a face like hers to which the
word "classic" was first applied. Whatever clothing
she wears (and tonight, as every night, it's whatever was in
the Elle fashion spread the week before), she looks as
good in it as she would out of it.
She is also -- and here's
where it all falls apart from most people's point of view --
crass, manipulative, stupid, trendy, vain, shallow, ill-informed,
annoying, spoiled, and virtually without any redeeming intellectual
qualities whatsoever. From Randy's point of view, however,
it's very, very hard to dislike any of these qualities when they
come part and parcel with having the best sex you'll ever have
in your entire life with the most attractive woman you'll ever
meet in your entire life.
The poor girl is exasperated,
as the heat has slightly disheveled her. She puts her hands
on her hips and pouts just ever so slightly; the force of this
pout is felt in every heterosexual male libido for a 500-yard
radius.
From side door emerges
Nicky Bloodhead. As does everyone who has something hidden in
their pocket that they don't want anyone to know about, his hands
constantly search out the packet of heroin, seeking to assure
his nervous mind that it's still there. It is.
"Can you beLIEVE
this HEAT? It just makes you want to put on something cotton
and turn up the AIR conditioner just as HIGH as you can GET it,
DOESn't it?" She lunges at Randy and kisses his neck, running
her hand playfully inside his shirt. He smiles that smile and
kisses her, not quite as passionately, on the forehead. Nick
turns and walks toward the mike stand.
"I hope your dick
will be hearing from your brain real soon, Randy," snipes
Nick.
"Huh? What did THAT
mean, honey? Was he being FUNny again? I --"
"I don't know, hon,"
Randy replies, defeated. "We have to play now -- are you
ready? Do you want to sit next to Price and his, his friend?"
"Okay! I LOVE you!
Good LUCK!" She sits on the couch next to Price Western,
who does not mind at all, for as we have seen, there is a special
place in his heart, or at least his cock, for shallow, attractive
women. If it weren't for Price's ready access to myriad other
girls of the type, and if it weren't for the fact that Monica
was doglike in loyalty as well as intelligence, the two of them
would have fucked a long time ago.
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